CCTV News:On October 24, the State Council Office held a press conference on ensuring high-quality development with high-level security. Li Jiantao, director of the Food and Drug Crime Investigation Bureau of the Ministry of Public Security, said that the public security organs have taken a series of crackdown and rectification measures in accordance with the law to resolutely control "table pollution" and protect the "safety on the tip of the tongue" of the masses.

First, persist in cracking down on the law and deepen the opening up of special crackdown and rectification. The Ministry of Public Security deployed public security organs across the country to carry out the "Kunlun 2023" special campaign in depth, focusing on the crimes of "two excesses and one non-violation" of food, that is, over-range and over-limit abuse of additives and illegal addition of toxic and harmful non-edible substances, and detected more than 5,300 criminal cases of illegal addition of food, abuse of "lean meat" and manufacturing and selling fake beef and mutton in online celebrity, and arrested more than 6,300 criminal suspects.

Second, persist in taking the initiative to attack and constantly improve the ability to fight crime. In view of the problem that food cases are hidden and difficult to find, relying on more than 500 public security food and drug quick inspection technical rooms built in various places, we have carried out active sampling inspection in the food field with frequent problems and found a number of problem clues in time. At present, the independent discovery rate of case clues has reached 60%. In view of the increase in online food crimes, we will strengthen online inspections, carry out cross-regional cluster strikes, and cut off a number of online crime chains. In view of the characteristics of many changes in the methods of illegally adding crimes, joint scientific research institutions have carried out technical breakthroughs and cooperated with relevant departments to introduce testing standards and methods to improve the quality and efficiency of the crackdown.

The third is to adhere to collaborative governance and help improve the comprehensive management level of food safety. Based on the duty of cracking down on crimes, we should cooperate with relevant departments to promote the transformation of food safety supervision from after-the-fact investigation to prior prevention. Establish a linkage mechanism with administrative departments, take the initiative to inform major food safety issues, and jointly carry out hidden dangers rectification. In-depth investigation and visit on "benefiting people and enterprises", listen carefully to the opinions and suggestions of enterprises and the masses, widely mobilize the masses to report food safety crimes, strengthen the publicity of typical cases, issue risk warnings in time, and create a good public opinion atmosphere.

At present, China’s food safety situation is generally stable and improving, but influenced by economic interests and other factors, food crimes are still prone to occur frequently, and the task of cracking down on food safety crimes is arduous and arduous. In the next step, the public security organs will thoroughly implement the "four strictest" requirements, focus on the people’s concerns about food safety, continue to crack down on food safety crimes with a "zero tolerance" attitude, help improve the level of food safety governance, and strive to make the people eat safer, more assured and healthier.

　　Editor’s Note: The box office of the summer movie in 2023 (June 1-August 31) has enjoyed a gratifying rise, which has also injected a "shot in the arm" into the China film industry. Various kinds of "explosions" frequently appear in the summer file. We see rich theme types, normalized box office decline, resurgence of traditional culture, and the long-accumulated cultural and entertainment needs of China audiences. China films stand at a new starting point of recovery.

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　　Xinhuanet Beijing, August 10th (Reporter Wang Zhiyan, Yan Yuxi)

　　Long time no see, 10 billion summer vacation.

　　"It is better to live in a cinema in July." Some fans are so emotional. This summer, there is a movie market that is hotter than the temperature.

　　126 films are competing, and more than 40 new films are in full swing.

　　There are various types and rich themes, and the audience has more choices. There are not only head-ballast stone masterpieces like "Feng Shen I", but also waist strength and small and medium-sized weights such as "Enthusiasm" and "Tea No.2 Middle School" … … It is the strongest summer file.

　　According to the data of Lighthouse Professional Edition, in 2023, the total box office of China movies in July alone reached 8.718 billion, with a total attendance of 212 million and a total number of 11.833 million, creating a new box office record in the history of China cinema in July.

　　As of press time, the summer box office has exceeded 15 billion, and returned to the "10 billion" level after four years.

　　Emotional resonance, a new panacea for domestic movie box office

　　Disappeared She, In an Octagonal Cage and Three Wan Li in Chang ‘an were among the top three in the box office list in July. It is worth noting that they are not masterpieces.

　　Everything seems to have a warning.

　　On June 27th, the box office of "Disappeared She" broke one billion, which started the first shot of the summer waist movie. The data shows that the film’s viewing peak is one week after its release. As the topic of women triggered by movies fermented on social platforms, the single-day box office once reached 335 million, and the total box office has now exceeded 3.5 billion.

　　The subsequent realistic film "The Octagonal Cage" adopted a new gameplay of "super-long point screening" before its release, and it has also won over 2.1 billion box office so far. The film truly presents the living conditions and fighting spirit of the people at the bottom. What is similar to the Lost She is that they hit the mood of many young people at present.

　　The animated film "Three Wan Li in Chang ‘an" with the theme of Tang poetry is a real "dark horse", which is better than reaching deep empathy with the audience in culture. Douban scored 830, exceeding the box office of 1.6 billion, ranking second in the box office list of animated films in China film history. Before the release, no matter from the production team, theme setting, and narrative rhythm, it was difficult for the industry to predict that it would achieve such brilliant results.

　　"Tang poetry has no circle." Yu Zhou, vice president of light-chasing animation and producer of Three Wan Li in Chang ‘an, told Xinhua that there was always discussion about how to "break the circle" in two-dimensional animation, but for Three Wan Li in Chang ‘an, the word "break the circle" did not apply. Those who grew up in China culture or were influenced by Chinese culture were the target audience of the film.

　　During the screening, Yuzhou found a 92-year-old gentleman among his classmates. After watching the movie, he also wrote a neat seven-character poem. "He may be the oldest audience of Changan Three Wan Li."

　　In the eyes of many people in the industry, the audience is willing to pay for "emotional value" and "social currency". Chen Sicheng, the screenwriter and producer of "Disappeared She", once said that the film would look better if it had direct connection and relationship with the audience. Once social topics are extended, giving movies more social attributes will bring unpredictable increments.

　　Rao Shuguang, president of China Film Criticism Society, said in an interview with Xinhua. com that the core issue of film aesthetics is "the relationship between film and audience". Only by absorbing more inspiration from real life and substituting the audience with them to maximize empathy, resonance and resonance can the film be better spread.

　　"This year, a large number of hot topics about films originated from the audience’s ‘ Self-fermentation ’ It presents the characteristics of high entertainment, high topicality and high relevance to the content of the ontology. " Li Jie, president of Alibaba Pictures, told Xinhua that how to reach the audience better requires innovative ways of playing in the future film announcement.

　　Stills of the movie "Chang ‘an Three Wan Li"

　　Oriental Aesthetics, Creating a New Narrative Paradigm of China

　　"Oriental Aesthetics" is another key to the success of this summer’s summer file. No matter "Three Wan Li in Chang ‘an" or "The First Goddess", the new aesthetics and narrative paradigm of China’s films are widely praised.

　　In a sense, Feng Shen Part I, which has been sharpened for ten years, is a trace and refinement of Chinese excellent traditional culture. In the most entertaining way of clothing and scenery setting, director Wu Ershan insists on "restoring ancient ways without mud", which combines land and water paintings in the late Yuan and early Ming Dynasties, bronze elements in Shang and Zhou Dynasties and the aesthetic style of landscape in Song Dynasty.

　　The same is true of Three Wan Li in Chang ‘an. Inspired by Tang figurines, murals and ancient cultural relics, the film’s main creator tried his best to restore the details of culture, costumes and customs in the prosperous Tang Dynasty, and finally presented a story full of magnificent imagination.

　　Rao Shuguang praised the innovation and exploration of the two films. "The first film" not only represents the development level of China’s film industrialization, but also shows the cultural confidence and ‘ Spiritual autonomy ’ . The organic integration of "Chang ‘an Three Wan Li" and traditional culture has constructed the oriental meaning of China’s animated films, reflecting the modern value of Chinese excellent traditional culture. "

　　The highly mature film industrialization makes "Oriental Aesthetics" perfectly realized. In fact, industrialization refers not only to the technical level of film production, but also to the process and management.

　　During the filming of the trilogy of gods, it is said that there are more than 8,000 registered crew members, and the filming time is more than 400 days. It is conceivable that the production and management are difficult. However, when director Frant Gwo visited the class, he found that "there was almost no sound in the huge studio, and everyone was orderly, eating after work, and then preparing the content for the next day." It is the crew that has explored the institutionalized and streamlined scientific management methods, ensuring the highly smooth cooperation and cooperation between various types of work.

　　"The industrialization of animated films puts more emphasis on teamwork." Yu Zhou introduced that during the three-year preparation and production period of "Three Wan Li in Chang ‘an", a total of 500 or 600 people participated, and the time point of project promotion will fall to every week, every day and everyone, which must be strictly implemented. "Because there is a very complete and sophisticated production management system, we finally advanced the progress and caught the summer release."

　　"Deep cultural heritage+high degree of film industrialization", this Chinese path may open up more possibilities for the future of domestic films. Wu Ershan said in an interview with Xinhua. com that there are still many types of gaps in China’s films, and "The First Part of Gods" opened up the genre of mythical epic and fantasy. China’s historical myths, traditional arts and other cultural resources are very huge, and there is still huge room for development in the future.

　　Li Jie said that a more mature and comprehensive industrial system should improve the overall production level and efficiency. We need to further improve high-tech and realize more technological "creation" besides technological "application". Secondly, we need to pay attention to the cultivation of film talents, so as to promote the sustainable development of China’s film industry system with professional talents with both local understanding and international vision.

　　Feelings are hard to sell, and Hollywood blockbuster "Money is Lost"

　　The summer file has always been a battleground for Hollywood blockbusters. This year, Hollywood blockbusters are collectively "dumb". Word-of-mouth was generally depressed, and the box office fell off a cliff. Among the films participating in the summer file competition, the box office of imported films currently accounts for only about 15%.

　　Take Mission Impossible 7 as an example. It has been 27 years since the series was introduced to the mainland, and almost every time it will set off a movie-watching craze and topic. This time, Tom’s not working! More than half a month after the release, it recorded more than 300 million box office, which can be described as bleak. Five years ago, Mission Impossible 6 had a box office of 1.245 billion in China, which set the best result in the same series.

　　Other classic IPS, such as Transformers: The Rise of the Super Warrior, have a box office of 653 million less than one-third of its peak. Although the box office of "Fast and Furious 10" broke through 100 million yuan on the first day, it lacked stamina and finally closed at 983 million yuan, which has been halved compared with "Fast and Furious 8". Even The Flash, Galaxy Guard 3 and Spider-Man: The Vertical and Horizontal Universe, which were favored by cinema people before the release, did not perform well.

　　Many viewers spit out, "The old IP chews repeatedly, and the formula and taste are still the same. It really has no appetite." Indeed, the old-fashioned plot, flat characters and special effects aesthetic fatigue make it difficult for Hollywood blockbusters to rekindle their enthusiasm for watching movies, and the audience will not "pay" for their feelings every time.

　　In Rao Shuguang’s view, Hollywood blockbusters are "not fragrant" because they lack emotional resonance with the current audience. "In the past, we sought after Hollywood’s special effects, techniques, scenes and so on, but these were all outside people’s emotions, so I fell asleep watching Transformers."

　　If Hollywood wants to win back its audience in China, it may need to re-understand the China market. "The audience’s preference for movies is really changing." Liu Peng, president of Cat’s Eye Research Institute, analyzed that with the maturity of movie audiences in China, the upgrading of special effects and big scenes can no longer fully satisfy their tastes, and it is more necessary to innovate in content and resonate emotionally.

　　Even so, we can’t underestimate the strength of Hollywood movies. Looking at the performance of Barbie, although it was dragged down by the announcement in the early stage, with the high reputation of Douban of 8.3 points, it won more than 200 million box office in China market with a very low number of films, and its global box office has broken 1 billion dollars. The topic of women caused by movies continues to ferment on social media.

　　Culture "in tune", Sino-foreign cooperation to explore new breakthroughs

　　Megalodon 2: Abyss joined the battle in the second half of the summer file. As of press time, it has recorded more than 450 million box office in the five days since its release.

　　As a deep-sea adventure monster blockbuster controlled by China producers, Megalodon 1 has made a box office of 1.053 billion in China and 530 million dollars in the world, which is the highest box office of a Chinese-American co-production.

　　The sequel Megalodon 2: Abyss is a unique existence in the summer file. On the one hand, it is a Hollywood-style special effects action movie; on the other hand, China elements are well integrated in story creation, character setting, lines and shooting details. For example, the scientist "Nine styles" played by Jason Wu in the film, these two words come from the ancient China prose "Up to the sky, down to the candle", which means ocean or abyss.

　　Different from the previous global blockbusters, China actors are no longer "tools" to promote the development of the plot, but a rich, vivid and advanced contemporary Chinese image. Behind this character setting is the result of deep cooperation between Chinese and foreign teams.

　　In the industry, co-production is regarded as an important way for China’s culture to go abroad. From assisting in filming in the early stage, to intervening in the script development stage, and even co-producing and co-distributing, China films have made breakthroughs in international communication.

　　Ying Xuzan, vice president of the Chinese Culture Group, the producer of this film, said in an interview with Xinhuanet that it is very meaningful to let everyone see how China filmmakers behave themselves, how to shoot a specific shot and how to modify a line, and finally let the world audience have a deeper understanding of China’s aesthetics, China’s cultural integration and Chinese’s spiritual inheritance through the carrier of English movies in a quiet way.

　　Suppress first and then promote, and the market will not bury good content.

　　The competition for the second half of the summer file is still fierce. At present, the anti-fraud movie "Put All Your Eggs on One Egg" has entered the market, and the first day box office (including screening) quickly broke 700 million, with a rapid momentum. High-heat films such as "I Through the Storm" and "Burning Winter" are also ready to go.

　　"It is a high probability event that the summer box office exceeded 18 billion this year." Rao Shuguang predicted that if the total box office of China movies can reach about 60 billion in 2023, the recovery momentum and growth trend of the market are still satisfactory.

　　With more than four months left in 2023, can the film market continue the heat of summer all the way to the end of the year? Liu Peng believes that it still depends on the content and quality of the film itself, and whether it can resonate with the audience. "At present, the audience’s viewing habits have basically recovered, and the annual box office is expected to be basically the same as that in 2017, which will drive the entire industrial chain to actively and positively cycle."

　　"In the summer, everyone will go out collectively ‘ Restrain first and then promote ’ The box office curve, this is the real ‘ The market will not bury good content ’ It is also a manifestation that the market is gradually maturing. " Li Jie said that when there is enough high-quality content pouring into the market, the vitality of the market will come back and the market will usher in an outbreak.

　　After several years of downturn, China film market has finally stood at a new starting point of recovery.

　　How to boost consumer confidence, the summer file has been successfully set, that is — — Follow the market rules, supply high-quality products and give full choices, and the result is "if you don’t give up, I won’t give up." (Intern Deng Yaxun and Hou Peichen also contributed to this article.)

　　CCTV News:In October 2015, the Archives of Nanjing Massacre declared by China was officially listed in the Memory of the World by UNESCO, which also means that the Nanjing Massacre has become an indelible painful memory in the history of all mankind.

　

　　In the process of declaration, a group of little-known photos played an important role, which was called "the first criminal evidence of Jing Zi". In January 1938, Elly Romy, a 15-year-old photo studio apprentice, risked his life to keep 16 photos taken by the Japanese army that killed China people.

　　Yang Dongquan, former director of the National Archives Bureau, said that they took the photos themselves and then took them to a photo studio in Nanjing for development. A development worker in Nanjing photo studio was particularly resentful when he saw that they were killing Chinese, so he secretly left a set.

　　Elly Romy hid this photo on the beam of his home. After several twists and turns, it was collected by a young man named Wu Xuan. In 1946, Wu Xuan handed over the photo album that had been treasured for many years to the military war criminals court established by the Ministry of National Defense in Nanjing, and these photos also played an important role in the declaration process of the Nanjing Massacre Archives.

　　Rabe’s Diary is one of the most important and informative historical materials of the Nanjing Massacre. Its author, john rabe, and other international friends jointly established the "Nanjing Safe Zone" in Nanjing during the Nanjing Massacre, providing shelter for about 250,000 China civilians.

　　In the early morning of December 13th, 1937, Nanjing fell. Rabe wrote in his diary on December 14, 1937: "We didn’t know the extent of the damage until we drove through the city. Every time the car goes, it will run over the bodies. Those are the bodies of civilians. "

　　On December 17, 1937, the Japanese army held a ceremony to enter the city in Nanjing. On this day, the Japanese army committed more than 1000 rape crimes in Nanjing. They killed, set fire, raped and robbed, breaking through all the moral bottom lines of mankind.

　　On December 22, 1937, Rabe’s Diary — — "When cleaning up the safe area, we found that many civilians were shot and killed in the pond. Among them, there were 30 bodies in one pond, most of them had their hands tied, and some people had stones tied to their necks."

　　Wang Chunxiao, the editor and director of Nanjing Massacre in the Eyes of Foreigners, said that he kept a diary for 73 days from December 13, 1937, when the Japanese army entered Nanjing, until February 23, 1938, when he left Nanjing. In the face of massive evidence, the Nanjing Massacre Archives was finally officially listed in the Memory of the World Register by UNESCO. The painful history of the Nanjing Massacre has also become a part of the history recognized by the world.

It is a foregone conclusion that autumn grain production will increase. The "vegetable basket" products meet the demand, and farmers’ income has actually increased by 7.3%.
In the first three quarters, the agricultural and rural economy improved steadily.

On October 23, the State Council held a press conference to introduce the operation of agriculture and rural economy in the first three quarters of this year. Since the beginning of this year, the Ministry of Agriculture and Rural Affairs has made every effort to ensure stable production and supply, made efforts to consolidate and expand the achievements of poverty alleviation, strived to broaden the channels for farmers to increase their income and become rich, intensified efforts to sum up and popularize the experience of Zhejiang’s "Ten Million Projects", and made overall plans to promote rural development, construction and governance. The agricultural and rural economy has shown a steady and positive trend. "The bumper harvest of agriculture, the steady increase of farmers’ income, and the stability and tranquility of rural areas have provided strong support for promoting the sustained economic recovery, accelerating the construction of a new development pattern, and striving to promote high-quality development." Zeng Yande, chief agronomist of the Ministry of Agriculture and Rural Affairs and director of the Development Planning Department, said.

The annual grain output is expected to hit a record high again.

"Frost in first frost, Man Cang in Gu Mi". It was introduced at the meeting that this year’s grain production will overcome the impact of disasters, and the output is expected to hit a record high again. According to the agricultural situation dispatch of the Ministry of Agriculture and Rural Affairs, as of October 22, the national autumn grain harvest has reached 81.3%, and it is a foregone conclusion to increase autumn grain production.

Where does the confidence come from? Pan Wenbo, director of the Planting Management Department of the Ministry of Agriculture and Rural Affairs, said that on the one hand, the area of autumn grain increased for the fourth year in a row, with an increase of more than 7 million mu over the previous year, which laid the foundation for increasing autumn grain production. On the other hand, the effect of large-area yield improvement has begun to show. At the beginning of the year, the Ministry of Agriculture and Rural Affairs launched a large-scale unit yield improvement campaign for major crops such as grain and oil, focusing on promoting the unit yield improvement in 200 corn counties and 100 soybean counties.

"Although the local disasters are serious, most of the main producing areas have harmonious rainfall and sufficient light and heat, which is conducive to crop growth and yield formation." Pan Wenbo said that from the current situation, the increase in autumn grain production can completely achieve "supplementing summer with autumn". Counting the three seasons of summer grain, early rice and autumn grain, the annual grain output is expected to hit a new record high, achieving the expected goal of keeping the annual grain output above 1.3 trillion Jin.

At present, the national autumn and winter planting work has been fully launched. As of October 22, more than half of winter wheat and 60% of winter rape have been sown in China, and the progress is equivalent to that of normal years. Pan Wenbo introduced that in view of the climate characteristics and the situation faced by autumn planting this year, the Ministry of Agriculture and Rural Affairs launched a three-year campaign to increase the yield of wheat and rape in a large area, and began to implement various measures to increase production from soil preparation and sowing, focusing on promoting the "two-night technology" and key technical measures such as proper deep and precise sowing of wheat and proper close planting of rape, focusing on implementing technical measures such as suppressing moisture conservation before winter, cultivating strong seedlings to survive the winter, and laying the foundation for next summer’s grain and oil harvest.

In addition, in view of the flood storage and detention areas such as Hebei and Tianjin, which were affected by floods in August, in order to ensure proper sowing, machinery and personnel were organized to fully seize and drain accumulated water, and ploughing was carried out in time to disperse moisture, and expert groups were sent to guide the implementation of anti-moisture and sowing protection measures. At present, the accumulated water in these plots was basically drained in early October, and the wheat planting in most areas ended, and the basic planting was in the suitable sowing period.

The supply of "vegetable basket" is sufficient, and the results of soybean oil expansion are constantly consolidated.

It was introduced at the meeting that in the first three quarters, China’s "vegetable basket" products were adequately supplied and the market operation was generally stable. The domestic aquatic product output was 47.336 million tons, an increase of 4.8%; The supply of vegetables and fruits increased. In early October, the area of vegetables in the country was more than 100 million mu, an increase of more than 1.4 million mu over the same period of last year. The fruit yield is stable and the variety is rich. According to the monitoring, the price of "food basket" products after the holiday was stable and lower as a whole.

"Looking forward to the later period, the production capacity of meat, eggs and milk in the country is abundant in the fourth quarter, and vegetables have increased steadily in the field area. The market of’ vegetable basket’ has a very solid foundation for stable supply and price, which can fully meet the needs of urban and rural people." Han Liu, head of the Market and Information Department of the Ministry of Agriculture and Rural Affairs, said. Next, we will continue to do a good job in ensuring production and supply, strengthen the docking of production and marketing, guide the production and operation entities to do a good job in the storage and preservation of fresh agricultural products, promote the balanced and orderly listing of "vegetable basket" products, and ensure that key varieties are not out of stock and not stopped.

Improving the self-sufficiency rate of soybean oil is an important task to ensure the stable and safe supply of grain and important agricultural products. "This year is the second year of implementing the national soybean and oil production capacity improvement project." Pan Wenbo introduced that at the beginning of the year, the Ministry of Agriculture and Rural Affairs formulated the goal of "two expansions and two improvements", and included the soybean oil production target in the assessment of food security with the same responsibilities of the party and government, tackling difficulties in expanding the area, doing everything possible to bill for production, and continuously consolidating the achievements of soybean oil expansion. Other oil crops such as peanuts and oil sunflower are also stable.

Summer oil has a bumper harvest. This year, the central government arranged 1.5 billion special funds to support the Yangtze River basin to expand winter rape planting by using winter fallow fields. All localities have tried their best to tap the potential, and the area and output of rapeseed harvested in summer have doubled. It is estimated that the area of rapeseed harvested in winter will exceed 100 million mu, and the output will reach more than 14.5 million tons, with both areas and output reaching new highs.

The soybean area has increased steadily. Subsidies, insurance, and purchasing and storage work together, and all localities do everything possible to mobilize farmers’ enthusiasm. The soybean area has been stable at more than 150 million mu for two consecutive years, and the soybean and corn strip composite planting area has been implemented at 20 million mu, an increase of about 5 million mu over last year.

The effect of increasing soybean yield in a large area has begun to show. It is understood that this year, the planting density of soybeans in the demonstration area of increasing yield per unit area has generally increased by 800-1000 plants per mu, and the density of high-yield fields has reached 24,000. "According to the calculation of three plants and one or two beans, the average yield per mu increased by about 30 Jin, and the contribution of the yield increase of 100 major producing counties to the total yield increase exceeded 70%." Pan Wenbo introduced.

Develop industries, stabilize employment, and maintain the growth momentum of farmers’ income.

Industrial revitalization is the top priority of rural revitalization. Zeng Yande introduced that since the beginning of this year, the Ministry of Agriculture and Rural Affairs and relevant departments have made efforts to develop industries, stabilize employment, and strive to broaden the channels for farmers to increase their income and become rich, and farmers’ income has continued to grow.

The central government’s convergence to promote rural revitalization subsidies for industrial development has reached 60%. By the end of September, 63.5% of the monitored objects in 22 provinces in the central and western regions had eliminated the risk of returning to poverty, and the rest had implemented assistance measures. There are 32.97 million migrant workers (including those who have been monitored to prevent poverty from returning), which exceeds the annual target of 2.778 million.

The rural industries to enrich the people have grown stronger, and farmers’ income has maintained steady growth. From January to September, the added value of agricultural and sideline food processing industries above designated size increased by 0.4% year-on-year. In September, the purchasing managers’ index (PMI) of the national key leading enterprises in agricultural industrialization was 62.8%, and the confidence of enterprises in the market outlook was enhanced. In the first three quarters, the online retail sales of agricultural products maintained double-digit growth, rural leisure tourism recovered steadily, and the value of agricultural functions continued to expand. Statistics from the National Bureau of Statistics show that the per capita disposable income of rural residents in the first three quarters was 15,705 yuan, a real increase of 7.3% after deducting the price factor.

In addition, with the orderly advancement of rural construction, rural living conditions have been continuously improved. At the meeting, it was introduced that in the improvement of rural human settlements, the penetration rate of rural sanitary toilets in China exceeded 73%, and the proportion of administrative villages that collected and transported domestic garbage exceeded 90%. More than 95% of the villages have carried out clean-up operations, and the village appearance has been significantly improved. In the improvement of rural public infrastructure, we will guide all localities to compile rural construction task lists, improve county-level rural construction project libraries, improve infrastructure conditions, and enhance the level of public services.

"The deepening of rural reform has further enhanced the vitality of development." Zeng Yande said that at present, reforms in key areas are progressing steadily, including expanding the scope of the pilot project for another 30 years after the expiration of the second round of land contract, printing and distributing the management measures for rural land contract, promoting the standardized pilot work of rural property rights transfer transactions in an orderly manner, and continuously deepening the pilot reform of rural homestead system. By the end of September, there were more than 2.22 million farmers’ cooperatives and 4 million family farms in China, and more than 1.07 million agricultural socialized service organizations, and new agricultural business entities continued to grow and develop.

"Promoting farmers’ income is the central task of the work of agriculture, rural areas and farmers. In the current construction of a new development pattern, it is more important and urgent to activate rural domestic demand and promote farmers’ income. " Zeng Yande said that next, we will continue to strengthen efforts and take measures in the fields of promoting the convergence of production and marketing, developing rural industries, expanding projects and deepening rural reform, and continuously consolidate the good situation of farmers’ income growth. (Reporter Yu Jingwei)

1905 movie network news The new sequel of Oscar’s best animated feature film is being shown in the whole country, and the box office in mainland China has exceeded 300 million yuan. Over 280 Spider-Man appearances, cool visual painting style and unimaginable big-screen audio-visual enjoyment have been well received by audiences all over the world. At present, the global box office has captured $490 million, greatly surpassing the previous work, and North America has won $284 million to rise to the third place in the annual box office list in North America.

　

Mainland box office broke 300 million, summer hit, global record high of 490 million US dollars.

The domestic box office of the movie Spider-Man: Vertical and Horizontal Universe has now exceeded 300 million RMB, with a total audience of 8.33 million. The audience has given high praise on various platforms such as Douban, Cat’s Eye and Weibo. Three weeks after its release, the film grossed 490 million dollars worldwide, ranking sixth in the global annual box office list, greatly surpassing the total box office of its predecessor, Spider-Man: Into the Spider-Verse. North America currently has $284 million, surpassing its rise to the third place in the annual box office list in North America.

The box office of overseas countries exceeded expectations, setting a new record for Spider-Man’s animated films.

At present, "Spider-Man: The Universe" has become the highest-grossing animated film of Sony Pictures, and this box office figure will reach a higher level as the global popularity continues.

　

The film’s high reputation ignites the audience’s follow-up expectations. The third part of the series will be released globally next year.

The film "Spider-Man: The Vertical and Horizontal Universe" won unanimous praise from the media, film critics and audience after its release. He was praised as "Shakespeare’s masterpiece" and "every frame can be hung on the wall of the museum". The cool visual painting style and the subversive audio-visual language make the film gain the affirmation of a large number of professional painters, animation directors and animation professionals on social media, and be praised as "the highest level of animated films". However, the massive details and surprise eggs of the film make it not enough for fans to watch it once, and they have to brush it twice and three times to get addicted: "Every time you brush it, you will have new happiness."

At the same time, many viewers also eagerly expressed on social media: "I hope the third film will be on tomorrow" and "I can’t wait to fast forward to next year", which shows the audience’s love for the multi-universe adventure story of Spider-Man Myers and Gwen Spider. The much-anticipated Spider-Man Miles and Gwen teamed up to fight against fate, and the follow-up of the Hundred Spiders War will be presented in the series sequel! The film will be shown on the global big screen in March 2024.

Xinhua News Agency, Beijing, March 29th (Reporter Wang Bin) On March 27th and 29th, Chinese Vice President Han Zheng met with Qi Yaonian, CEO of HSBC Group, Shi Minglun, CEO of Swire Group, Luo Fude, Chairman of Abbott, Bette, Chairman of the Board of Directors of Allianz Group and Zhao Guohua, Chairman of the Board of Directors of Schneider Electric Company, who were here to attend the 2023 annual meeting of China Development Forum.

Han Zheng said that multinational companies have made positive contributions to China’s economic development for many years, and they are witnesses and participants in China’s reform and opening up, and they have also made great progress. The Chairman of the Supreme Leader has repeatedly stressed that China adheres to the basic national policy of opening to the outside world and firmly pursues a mutually beneficial and win-win opening strategy. This year marks the 45th anniversary of China’s reform and opening up. Practice has fully proved that reform and opening up have greatly promoted the development of China. No matter how the international situation changes, China will only open wider and wider. The 20th National Congress of the Communist Party of China has made a strategic plan for the development of China in the coming period, and China is committed to comprehensively promoting the great rejuvenation of the Chinese nation with Chinese modernization. In this historical process, we will unswervingly promote high-level opening to the outside world, maintain the continuity and stability of domestic and foreign policies, deeply participate in global industrial division and cooperation, and strive to create a market-oriented, rule-of-law and international first-class business environment to provide more opportunities for enterprises from all countries.

Han Zheng said that high-quality development is the primary task for China to build a socialist modern country in an all-round way, and the high-quality development of China is inseparable from international cooperation and the participation of various market players including multinational companies. At present, the international situation is complex and changeable, so it is very important for Chinese and foreign business circles to strengthen communication and cooperation. Since the beginning of this year, China’s economy has stabilized and rebounded. From January to February, the actual use of foreign capital was nearly 40 billion US dollars, which continued to maintain the growth momentum. The long-term positive fundamentals of China’s economy have not changed, and we are full of confidence in achieving the expected economic growth target of around 5% this year. I hope that enterprises from all countries will strengthen their confidence in investment and cooperation with China, take root in the China market and share the new opportunities brought by the new development of China.

On March 27th, Vice President Han met with Qi Yaonian, CEO of HSBC Group, who came to China to attend the 2023 annual meeting of China Development Forum. Xinhua News Agency reporter Shen Hongshe

On March 27th, Vice President Han met with Shi Minglun, CEO of Swire Group, who came to China to attend the 2023 annual meeting of China Development Forum. Xinhua News Agency reporter Shen Hongshe

On March 27th, Vice President Han was in Beijing to meet Luo Fude, Chairman of Abbott, who came to China to attend the 2023 annual meeting of China Development Forum. Xinhua News Agency reporter Shen Hongshe

On March 27th, Vice President Han met with Bert, Chairman of the Board of Directors of Allianz Group, who came to China to attend the 2023 annual meeting of China Development Forum. Xinhua News Agency reporter Shen Hongshe

On March 29th, Vice President Han met with Zhao Guohua, Chairman of the Board of Directors of Schneider Electric Company, who came to China to attend the 2023 annual meeting of China Development Forum. Xinhua News Agency reporter Yin Bogu photo

Qi Yaonian and others said that China’s reform and opening up has achieved fruitful results, and China’s economic development has always been the most important stabilizer of the world economy in recent years. Many multinational companies have benefited from China’s reform and opening up, and developed successfully. We are grateful to the China Municipal Government for its long-term promotion of institutional reform and its emphasis on improving the business environment and protecting the rights and interests of foreign investment. Optimistic about China’s economic growth potential, innovation vitality and investment opportunities will increase investment in China and achieve win-win development.

Beijing │ "Witch’s Magic Reading": Sharing Meeting of the Original Novel of "The Evil Witch"

Time:May 26th (Friday) 14:00-15:30

Location:CITIC Bookstore, LG2 Floor, Qiaofufangcaodi Shopping Center, No.9 Dongdaqiao Road, Chaoyang District

Guest:Jacqueline Hughes (actress) and Carly Anderson (actress)

On May 26th, the hostess of the Broadway musical The Evil Witch will have the opportunity to read the original novel to you live. All the wonderful things that can’t be interpreted by musicals will be explained in the original novels.

Beijing │ Zou Shiming’s first official biography "Go All Out" new book conference

Time:May 27th (Saturday) 14:00-16:00.

Location:898 Innovation Space, Floor 3, Building 1, Guanghua School of Management, Peking University, No.5 Summer Palace Road, Haidian District

Guest:Zou Shiming (boxer) and Ran Yingying (host)

Flowers applause, lighting the stage, we saw the glory and sweat of boxing champion Zou Shiming; After a lovely wife and a domineering mother, we saw a careful and modest husband, father and son-in-law; What has he experienced from a small town boy to champion Zou? From sports to entertainment, how long will the champion fight? How does he go from the champion to the boxing promoter? In front of dreams, how should everyone move forward? Persistence and love, what else do you need to make everything beautiful come true? On May 27th, let’s listen to what Zou Shiming himself said!

Beijing │ │ Saman Luxidi’s "The Last Sigh of the Moors" New Book Sharing Meeting

Time:May 27th (Saturday) 15:00-17:00

Location:One-way space on the third floor of Aegean Shopping Center, Yard 12, Qisheng Middle Street, North Third Ring Road, Chaoyang District

Guest:Zhi ‘an (writer and scholar) and Lu Dapeng (translator)

Salman Rushdie is a legendary writer who once had global controversy, and he is a literary master on a par with Marquez, Glass and Calvino. His novel Midnight’s Son won three Booker Awards: Booker Award in 1981, Special Booker Award in 1993 and Best Booker Award in 2008. The Last Sigh of the Moors is a reflective work of Luxidi, which has been hidden for seven years under the influence of the "killing order". It is a novel that runs through Chinese and Western history and culture, full of unrestrained imagination, ups and downs and twists and turns, and is very enjoyable to read. What’s Ruthie like that you don’t know? In Marquez, Milan Kundera, Naipaul, Coetzee and other literary circles, what is the weight of Luxidi? On May 27th, let’s listen to the opinions of Zhi ‘an and Lu Dapeng.

Beijing Mo Bosang: Mystery and Madness.

Time:May 27th (Saturday) 18:00-20:00

Location:Reader Service Department of People’s Congress Press, No.31 Zhongguancun Street, Haidian District

Speaker:Hou Lei (writer and poet)

Orla is Mo Bosang’s late novel, which describes hallucinations and has the characteristics of modern novels. It is regarded by critics as Mo Bosang’s best short story. Harold bloom said: The horror story is a huge and fascinating genre. Mo Bosang is an expert in this field, but he has never shown it as well as he did in orla. I think this is because, to a certain extent, he knew that he had predicted his madness and attempted suicide. On May 27th, let’s talk about Mo Bosang’s mystery and madness.

Beijing │ bulgakov: A Master Beyond Time and Space.

Time:May 27th (Saturday) 19:00-21:00.

Location:One-way space on the third floor of Aegean Shopping Center, Yard 12, Qisheng Middle Street, North Third Ring Road, Chaoyang District

Guest:Zhi ‘an (writer and scholar) and Zhang Ning (professor and doctoral supervisor of Beijing Normal University)

In the spring of 2017, Zhejiang Literature and Art Publishing House launched five works in the first series of the "Double-headed Eagle Classic" series. Most of these works rank among the top 30 Russian novels in the Ideal Library, and bulgakov’s Master and Margaret ranks first. On the occasion of the publication of the first book series of "Two-headed Eagle Classic", we invited Mr. Zhi ‘an, a famous book reviewer, writer and scholar, to have a dialogue with Mr. Zhang Ning, a professor at the College of Arts of Beijing Normal University, a doctoral tutor and a famous literary critic, to take readers back to bulgakov’s great achievements and cherish the memory of the literary masters of the Silver Age.

Beijing │ people live poetically.

Time:May 27th (Saturday) 19:30-21:30

Location:Beijing Tianqiao Art Center, Building 9, Tianqiao South Street, Xicheng District

Guest:Zhao Lixin (actor), Hu Defu (singer), Qin Xiaoyu (poet and literary critic), Zhou Yunpeng (singer) and Ouyang Jianghe (poet).

"Living poetically on this land", the life described by this sentence is not a fantasy of breaking away from and forgetting reality in poetry, nor is it too busy to take care of other embarrassments for survival. Poetry is precious and scarce, and it is forgotten by too many people; Poetic and accessible, no matter whether the material is poor or rich, everyone can pursue the free satisfaction of the mind and spirit, sing happiness and poetic suffering. This time, we have invited five speakers from different fields, namely, poets, poetry critics, folk singers and drama actors. They will each give a 15-20-minute speech, telling the life in poetry and exploring the poetry in life from various dimensions such as ancient poetry, modern poetry and poetry.

Beijing │ Reading in Fragmentation Era and Publishing Conference of "Small Literature and Art Pocket Library"

Time:May 28th (Sunday) 14:00-16:00

Location:Floor 2, Yanjiyou Bookstore, 1-13A Tongying Center, No.1 South Sanlitun Road, Chaoyang District

Guest:Ge Fei (writer, Professor Tsinghua University), Li Er (writer, assistant curator of China Modern Literature Museum), Zhang Tianyi (writer).

On the occasion of the publication of "Small Literature Pocket Library" by Shanghai Literature and Art Publishing House, three writers were invited to talk about reading in the fragmented era.

Beijing │ │ Every city has its own song —— Reading Salon for Listening and Speaking offline activities.

Time:May 28th (Sunday) 14:00-16:00

Location:Music space on the left floor of the north building of People’s Art Building, No.7 Banqiao South Lane, Beixinqiao, Dongcheng District

Guest:Ma Shifang (writer and broadcaster) and Guo Xiaohan (partner and vice president of Letong Music)

The city is the eternal theme of folk songs. Whether it is Tayu Lo’s "Lugang Town", Zhang Weiwei’s "Silver Hotel", Lao Lang’s "Winter in Beijing" and omnipotent youth society’s "Kill the Shijiazhuang Man", it is deeply engraved with the unique flavor of the city. Did the city shape the temperament of folk songs, or did folk songs enrich the spiritual connotation of the city? What are the creative stories behind those folk songs related to the city? From Taiwan Province to the mainland, there have been many songs that sing about cities, and finally leave a mark on cities. On the afternoon of May 28th, let’s talk with Ma Shifang and Guo Xiaohan about the songs of cities that touched you and me.

Beijing │ Dragon Boat Festival Poetry Reading Meeting —— A dialogue reading meeting on the poem "Poet and Cat", a solo exhibition in Beijing.

Time:May 28th (Sunday) 14:00-16:00

Location:No.88, Dongsijiutiao, Dongcheng District, sharing international 5Lmeet· unread Club

Guest:Risuo (painter), Shen Haobo (poet) and Shiva (poet).

On May 5th, the solo exhibition "Poets and Cats" opened in the unread space. Poetry has always been an interesting clue throughout this exhibition because of the identity of Li Suo as a poet and her work in editing and publishing poetry. With the approaching of the Dragon Boat Festival, which is called "Poet’s Day", we specially invited Shen Haobo, a well-known poet and publisher, Siwa, a powerful poet born after 1970s, and Lisuo to present us with a Dragon Boat Festival poetry reading party about painting and poetry in the unread Club on May 28th, and specially prepared classic poems selected by guests, and invited readers to read them with us.

Beijing │ From brain burning to mind wandering, unlocking science fiction movies.

Time:May 28th (Sunday) 14:00-16:00

Location:91-1 Chaoyangmennei Avenue, Chaoyang District Reading Base Yufeng Library

Guest:Electronic Knight (film critic), Gu Da Bai Hua (hardcore fan of science fiction movies), Chen Qiufan (science fiction writer)

As we all know, among the most popular movies in Hollywood, science fiction movies can definitely make a long list. Now, everyone is paying attention to whether China, who has never had a decent sci-fi movie, can make a blockbuster sci-fi blockbuster from 0 to 1. So the question is, how should science fiction movies tell stories? Where is the science fiction theme different from other film types? Is it just the worldview setting and the outer space elements of the Milky Way special? How to implant the most distracting and authentic plot into wild assumptions, fantasies and delusions? The answer to all this is in Electronic Knight’s new book "Guide to Galaxy Science Fiction Movies"! In this activity, we are very honored to invite Electronic Knight, Gu Da Bai Hua and Chen Qiufan, and invite you to meet at Yufeng Library on May 28th to chat about the Milky Way and unlock sci-fi movies.

Beijing │ 60 Years of Literary Writing —— The New Book Release Conference of Selected Works of Liu Xinwu

Time:May 28th (Sunday) 15:00-17:00.

Location:Interline Bookstore, B1 Floor, Financial Street Shopping Center, No.2 Jinchengfang Street, Xicheng District

Speaker:Liu Xinwu (writer and scholar)

Since 2005, Liu Xinwu has been recording and broadcasting 61 episodes of "A Dream of Red Mansions Revealed by Liu Xinwu" and "The True Story of A Dream of Red Mansions after 80s" in CCTV Lecture Room, and published a book with the same name. In 2011, he published "A Dream of Red Mansions Continued in Liu Xinwu", which triggered a new craze for a dream of red mansions in China. In 2016, 26 volumes of Liu Xinwu Wencui were released. In this activity, Liu Xinwu will tell readers the story in the process of selecting his works, as well as the joys and sorrows of 60 years of literary writing, hoping to sympathize with readers again.

Beijing │ Go for a picnic: Dick Ng Comic Book Creation Exchange Signing Meeting

Time:May 29th (Monday) 15:00-17:00

Location:No.1 Xiangheyuan Road, Dongzhimenwai, Dongcheng District Contemporary MOMA North Zone Kubrick Bookstore

Speaker:Wu Ziyuan (illustrator) and Yin Xiaohan (publisher)

"Curiosity Collection Volume 1" has been widely praised by readers since its publication, and it is the first time to visit Beijing Bookstore! Book author Dick Ng and book publisher Yin Xiaohan will have face-to-face communication with readers in Kubrick Bookstore in Beijing, share their experiences in comic book creation and tell stories about what happened before and after publishing comic books.

Shanghai │ Liberation Daily │ Shangguan News invites you to see old photos, listen to a book club and admire old buildings.

Time:May 26th (Friday) 14:00-16:00.

Location:Floor 1, Building A, Jiefang Daily, No.816 Yan ‘an Middle Road, Jing ‘an District

Guest:Li Tiangang (Professor, School of Philosophy, Fudan University) and Gu Zheng (Deputy Director, Visual Culture Research Center, Fudan University, Professor, School of Journalism)

At this readers’ meeting and reading meeting, Li Tiangang, an expert in Shanghai history research and a professor at Fudan University’s School of Philosophy, and Gu Zheng, deputy director of Fudan University’s Visual Culture Research Center and a professor at the School of Journalism, will be invited to explain to readers from the perspectives of history, video, culture and so on. After the reading session, readers will also visit Jiefang Daily under the explanation of the staff.

Shanghai │ The so-called high emotional intelligence means being able to speak-Li Shanglong and Zhaomin’s way of speaking.

Time:May 26th (Friday) 14:00-16:00.

Location:Hubin Road, No.150 Hubin Road, Huangpu District

Guest:Zhao Min (anchor and columnist), Li Shanglong (writer) and Yi Dan (radio host).

Do you always have many ideas but don’t know how to express them? Nervous when it comes to public? Can’t open your mouth to speak or confess when you meet the right person? Or don’t know how to put words into each other’s hearts? The guests of this sharing session will tell you that there are only two ways to improve communication. On the one hand, we need to adjust our mentality slightly and face ourselves and the world in another way. On the other hand, we need to master common communication skills and avoid common minefields. Therefore, we should put aside the common teaching routines and use fresh and interesting speaking skills to correct our three views, stimulate our thinking and transmit our skills, so as to comprehensively improve our way of speaking.

Shanghai │ "Sparus and Sheep" New Book Release and Signing Meeting

Time:May 26th (Friday) 19:00-21:00.

Location:Zhongshuge, 4th Floor, Ruiou Department Store, No.1601 Nanjing West Road, Jing ‘an District

Guest:Mo Bangfu (writer, economic critic) and Yang Benming (Ph.D. jointly trained by Shanghai International Studies University and Kyushu University in Japan)

In this sharing session, Mo Bangfu and Yang Benming will talk about the cultural differences between China and Japan from the perspective of food culture. From "marine culture" to "mainland culture", from "eating" and "writing", we can trace the origin of the two countries’ languages and characters from the dining table, and then return to the cultural diversity of daily life from this origin, thus showing the fun in the cultural collision between China and Japan, which can be described as a treasure trove of Chinese and Japanese culture on the tip of our tongue.

Shanghai │ "Zen and the Art of Motorcycle Maintenance" Reading and Sharing

Time:May 26th (Friday) 19:30-21:00.

Location:Second Floor, Bund Art Museum, No.20 Huqiu Road, Huangpu District

Speaker:Xu Yingjin (Professor, School of Philosophy, Fudan University)

In contemporary times, Zen may not only be a distant thought in the mountains and forests, but also a way for us to break the artificial boundaries between ancient and modern, Chinese and foreign, arts and sciences, so as to gain true knowledge. Zen and the Art of Motorcycle Maintenance is a philosophical novel, which was popular in North America in 1970s and sought after by intellectuals in the English-speaking world. In the novel, the hero rides his son with his friends on a motorcycle, riding all the way from Minnesota to California, and thinking all the way. His own thinking about life and rich philosophical knowledge of the East and the West are forged between literature and ink. From the point of view of China readers, the book’s greatest feature lies in the blending of American mechanical culture and eastern Zen culture. The author tries to convince everyone that the process of disassembling the locomotive and carefully maintaining it is the best meditation, and the thinking mode of splitting arts and sciences is a betrayal of the Zen spirit.

Shanghai │ Pearl diver —— Karen Blixen and Out of Africa

Time:May 26th (Friday) 19:30-21:30.

Location:Jinling Inn, China Financial Information Center, No.18 Dongyuan Road, Pudong New Area

Speaker:Zhang Dinghao (writer)

In the recently popular program The Reader, Zhang Aijia read a passage from Out of Africa, which brought people back to the original and primitive place. The film adapted from the novel Out of Africa is also a classic, and won seven awards including best film, best director and best adapted script at the 58th Oscar in 1986. In this film salon, we will invite Zhang Dinghao, a writer, to review the film and original novel Out of Africa and interpret this classic.

Shanghai │ Those nights talking about the past and the present —— Reading from paper to radio waves

Time:May 27th (Saturday) 13:00-15:00.

Location:Sinan Literature House, No.505 Fuxing Middle Road, Huangpu District

Guest:Ye Sha (radio host), Peng Lun (book producer), Yang Mingyu (marketing manager of Shanghai Translation Publishing House), Yin Muyun (book editor of Guangxi Normal University Press)

It has been 20 years since the famous evening radio program "Accompanied by Dawn Midnight Book Club" was launched in Shanghai in 1997. Many friends who became attached to books in those years still cling to it today, because reading has long been a way of life. On the afternoon of May 27th, at the first Sinan Reading Club, the host Ye Sha and publishers Peng Lun, Yang Mingyu and Yin Muyun will review the nights of talking about the past 20 years, share the joys and hardships before and after the show, and share one good book after another from the content of the program.

Shanghai │ Transfiguration Play Game: The Interleaving of Circular Narrative and Linear Narrative Boundary

Time:May 27th (Saturday) 14:00-15:30

Location:OCT Contemporary Art Center, No.30 Wen ‘an Road, Jing ‘an District

Guest:Chen Ruida (Network Performance Artist), Netmeat (Anthropologist)

This performance discussion is set as a dialogue between two LARP (real-life role-playing) entities in the same body, which discusses the intersection between global capital and cybernetics, with the aim of redefining the power relationship rooted in various narratives with feedback loop mechanism.

Shanghai │ "New aesthetic principles are on the rise" —— Sharing of Shuang Xuetao’s Moses on the Plain

Time:May 27th (Saturday) 15:00-17:00

Location:Sinan Literature House, No.505 Fuxing Middle Road, Huangpu District

Guest:Shuang Xuetao (writer), Luo Gang (professor and doctoral supervisor of Chinese Department of East China Normal University) and Ping Huang (associate professor of Chinese Department of East China Normal University).

After the publication of novels such as Moses on the Plain by Shuang Xuetao, a young writer, it attracted wide attention both inside and outside the literary world. Some critics believe that this novel represents a symbolic mature moment of "post-80s literature". The appearance of Shuangxuetao is not accidental. In recent years, in the movies and novels with the theme of Northeast China, a new aesthetics is quietly emerging-due to the overall fragmentation, life has become a disturbing mystery again. On the afternoon of May 27th, Sinan Reading Club invited Mr. Shuang Xuetao and famous critics, Professor Luo Gang and Professor Ping Huang from the Chinese Department of East China Normal University to discuss the future of youth literature, the relationship between literature and social transformation and many other issues around the novel Moses on the Plain and other works of Shuang Xuetao.

Shanghai │ White translation also has to be translated.

Time:May 27th (Saturday) 19:30-21:00.

Location:The Bund Art Museum, No.20 Huqiu Road, Huangpu District

Speaker:Dong Botao (Doctor of Classical Literature, Publisher, Cultural Scholar, China, Fudan University)

Antoine Boehlmann once said: "The purpose of translation is to open the relationship with others with words and enrich oneself through communication with foreign things, which is directly opposite to the ethnocentric structure of every culture and the narcissistic psychology that every society wants to be a pure whole without impurities." Perhaps translation, as an act of communication, can also be regarded as an art of expressing feelings. Because it is fun and meaningful, it is not translated; Because of difficulties, sometimes translation is also in vain; Because of hobbies and missions, white translation has to be translated. On May 27th, Dr. Dong Botao, Doctor of Classical Literature in China, Fudan University, will share with us his "translation" career.

Shanghai │ "On the Road to Yuyuan Garden" from the beginning

Time:May 28th (Sunday) 14:00-15:30

Location:Floor 8, Changning District Library, No.356 Tianshan Road, Changning District

Speaker:Xu Jinjiang (Deputy Editor of Liberation Daily)

Shanghai is a rich treasure of literati. Just take a road and there will be endless stories. For example, Yuyuan Road, which is less than three kilometers long, has recorded too many celebrities. Qian Xuesen, Huang Yanpei, Kang Youwei, Gu Bingxin, Gu Shengying, rewi alley and other famous people from all walks of life have left their breath of life here. Mr. Xu Jinjiang, deputy editor of Liberation Daily, recorded the story of this road and Shanghai with a book "Yuyuan Road". In this book, you can read the different homesickness of a Shanghai alley boy. This Sunday afternoon, Changning District Library read a series of carnival activities, and invited Mr. Xu Jinjiang to share "The Road to Yuyuan Garden" for readers. Readers are welcome to participate. Let’s start from Yuyuan Road in detail.

Shanghai │ Two "Most" in Opera History

Time:May 28th (Sunday) 14:00-15:30

Location:Shanghai Symphony Orchestra, No.380 Fuxing Middle Road, Xuhui District

Speaker:Yang Yandi (Vice President of Shanghai Conservatory of Music)

This activity will focus on the ideological proposition and artistic features of Mozart’s opera Don Juan. Among all Mozart’s famous operas, the meaning and connotation of Don Juan have always been controversial, and its evaluation and positioning have also experienced dramatic ups and downs in history. Mozart was in the climax of the Enlightenment, but his understanding and expression of stubborn human nature and ill-fated fate was full of strong romantic rebellion and modern skepticism. Correspondingly, the music of Mozart’s opera, while maintaining his always flexible and elegant style, touched on the rare expression categories of violence, terror and "demons and monsters" in the 18th century.

The Contemporary Significance and Value of Shanghai Literature

Time:May 28th (Sunday) 14:00-16:00

Location:Floor 4, Yangpu District Library, No.1 Lane 1490, Pingliang Road, Yangpu District

Speaker:Wang Yonghao (Professor, Chinese Department, Fudan University)

To understand the significance and value of literature, we must first have an accurate understanding of the nature of literature. As a way to represent the free existence of human beings, literature can break through all kinds of restrictions in reality and achieve transcendence of the spiritual world. Of course, there are many ways to transcend, but the most fundamental and meaningful one is qualitative intervention. Only in this way can literature become the guardian of human value and the eternal sustenance of spirit. In this lecture, we are fortunate to invite Professor Wang Yonghao from the Chinese Department of Fudan University to tell us about the contemporary significance and value of literature.

Shanghai │ Fudan Two Generations of Philosophic Princes Talk on the Same Stage —— Wang Defeng and Yu Zhejun with Philosophic Thinking and Harmony of the Times

Time:May 28th (Sunday) 14:00-17:00

Location:American Studies Center of Fudan University, No.680 Guoquan Road, Yangpu District

Guest:Wang Defeng (Dean of Renzhong College of Fudan University, Professor and Doctoral Supervisor of School of Philosophy of Fudan University) and Yu Zhejun (Associate Professor of School of Philosophy of Fudan University)

The word philosophy consists of two words in ancient Greek, Philia is love and Sophia is wisdom. Philosophy is different from the thinking of the wise: the wise should grasp the truth and the only standard answer; Philia in philosophy means a kind of love, which is not that love ends when a person confesses to be together, but that there is love every day and you can make progress every day. Fudan humanistic wisdom class strongly invites Wang Defeng and Yu Zhejun, two generations of philosophy princes, to have a dialogue on the same stage, because they love wisdom and integrate philosophical thinking, bringing philosophical thinking with the times. On May 28th, two generations of philosophy princes, an ideological feast.

Shanghai │ Home and Light: Appreciation of apichatpong weerasethakul’s lectures and short films.

Time:May 28th (Sunday) 14:00-16:00

Location:Small theater on the third floor of Shanghai Museum of Contemporary Art, No.200 Huayuangang Road, Huangpu District

Speaker:Apichatpong weerasethakul (director, artist)

Apichatpong weerasethakul is regarded as one of the most original voices in contemporary movies. His first six feature films, short films and installations have won him an international official reputation and numerous awards, including the Palme d ‘Or at Cannes Film Festival in 2010 ("Uncle Boomi Who Can Call Past Lives"). In "Home and Light", his first public lecture in Shanghai, he will introduce his hometown in the northeast of Thailand and the connection between his works and the scenery of his hometown.

Guangzhou │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │

Time:May 31st (Wednesday) 19:30-21:30

Location:Atrium on the first floor of Tianhui Plaza, No.222 Xingmin Road, Tianhe District

Guest:Huang Zhizhong (founder and course director of Miguo Culture) and Victor Gu Chian Peow (founder and CEO of Miguo Culture)

Of all the factors needed for success, compared with birth, opportunity, energy, intelligence and will, what we can control most is actually the little thing of "speaking". "Ear" is influenced by "eye", and the wisdom of language will be with you for life. They are "one of the most talkative people in the Chinese language circle" and will teach "five-dimensional" speech skills on the spot! How to stand out in the interview? How to refuse to pester and beat? After years of hard work, the salary increase is very small. How can I ask my boss for a raise? In order to "feel the pulse" for you at the scene and cure the disease that you can’t talk.

Chengdu │ Xiao Quan’s beautiful woman under the lens.

Time:May 27th (Saturday) 15:30-17:30

Location:LG223 Yanjiyou Bookstore, IFS International Finance Center, No.1, Section 3, Hongxing Road, Jinjiang District

Guest:Qin Xiaoyu (poet), Han Songluo (writer) and Xiao Chenggang (director).

Artists in China should have pictures that touch themselves and others. The best people in China, like photographer Xiao Quan, witnessed an era and fixed an era. He took the best photos in his life. Xiao Quan supports all beings with his own pictures. On May 27th, I talked with three guests about the beautiful woman in Xiao Quan’s lens.

Chengdu Yi Poetry and Folklore

Time:May 27th (Saturday) 19:00-21:00.

Location:No.8 Zhongshamao Street, Jinjiang District, No.68-70 Chengdu Yuanyang Taikooli

Guest:Mark bender (Professor of Ohio State University) and Akuwu (Poet and Scholar).

On the evening of May 27th, Professor mark bender made a speech and exchanged ideas with Yi poets such as Akuwuwu and Jimu Langge. From the perspective of American scholars, Professor Baender will comment on the characteristics and achievements of Yi poets’ native language poetry creation, and compare Yi poetry with relevant American literary phenomena, so as to interpret the contribution of Akuwuwu and other poets’ works to human cultural heritage. Yi poets, such as Akuwuwu and Jimulungge, will recite their poems in Chinese and Yi language, and tell their creative experience and their understanding and feelings about their national culture. The event also invited Yi folk artists and Yi college students to perform Yi music and Yi epic.

Chengdu │ Read "Breathe" chengdu railway station on the sauce script.

Time:May 29th (Monday) from 14: 00 to 16: 30.

Location:Kaide Tianfu 4F Yanjiyou Bookstore, No.388 Tianren Road, High-tech Zone

Guest:Ah Bing (voice actor), Tut Harmon (voice actor)

This is a play about anxiety of modern people. A female doctor, an independent musician, a discussion about whether to have children. Can they be regarded as "real" good people by watching documentaries, reading serious literature and paying attention to ecology and environment? In order not to make this already riddled earth worse, in order not to bind your future, my child, this unknown individual should not come into this world. When they are overturned by fate, how will they put their vulnerability and anxiety? On May 29th, let’s listen to the answers of two guests.

Chengdu │ "Mother tongue: I love being a mother" Chengdu sharing meeting

Time:May 29th (Monday) 14:30-17:00.

Location:LG223 Yanjiyou Bookstore, No.1 International Finance Center, Section 3, Hongxing Road, Jinjiang District

Guest:Ning Yuan (founder of "Far Sun Room"), Guo Yi (media person), YOLI (teacher, founder of "Half Painting Classroom"), Maruko (photographer), Xu Lilu (university teacher)

Ning Yuan, a "far-away sun room", Guo Yi, a "super mom", YOLI, a "half-painting class", Maruko, and Xu Lilu, a university teacher, all talked about the concept of women’s self-growth after becoming mothers: training themselves is more important than training children. Be an interesting mother before raising an interesting child. We don’t want to be mothers who only revolve around children. We are people who are obsessed with making ourselves and our children better off.

Chengdu │ Jiao Yuan: the cangue of gold-drama sharing of The Golden Lock

Time:May 29th (Monday) 16:00-17:30.

Location:No.8 Zhongshamao Street, Jinjiang District, No.68-70 Chengdu Yuanyang Taikooli

Guest:Jiao Yuan (stage actor), Xie Liheng (reporter) and Jing Li (drama producer and screenwriter).

Jiao Yuan once said: "The greatest enjoyment for me as an actor is’ no drama’. Is to enjoy the feeling of’ difficult to play’, that’s how I abuse myself! It doesn’t hurt, it doesn’t break my heart, and I’m not willing to play. " In the rehearsal process of The Golden Lock, in order to capture the inner distortion of Cao Qiqiao, a middle-aged smoker, Jiao Yuan insisted on wearing "little shoes" and "foot-binding", and his feet were shaking, and finally he had Cao Qiqiao’s body language of shrugging his shoulders and shaking his hands. Cao Qiqiao, a repressed woman who dares to love and hate, finally twisted into a hysterical life process, which was vividly interpreted by Jiao Yuan with her solid performance skills and powerful stage energy. On May 29th, I listened to Jiao Yuan share this drama full of desire and tragedy, as well as her stage story.

Shenzhen │ Silence is so deafening: Appreciation Meeting of Wild Great Wall Zhu Zhu Album

Time:May 26th (Friday) 20:00-21:30.

Location:1-12 Feidi Bookstore, 6th Floor, Building 423, Baguasan Road, Futian District

Guest:Zhu Zhu (poet), Jiang Hao (graphic designer, poet)

Zhu Zhu, born in Yangzhou, Jiangsu Province in September 1969, is the author of poems, such as Sailing to Another Planet, Salt on the Hay, Smoke, Essays, Dizzy, Empty City, etc. Jiang Hao, born in 1971, is now a graphic designer. He has written essays Fragment of Fear, poetry anthology Rhetoric, Comedy (Paper space, 2009), Seeking Fish from the Edge of Wood, Materialism, Summer, etc. His poems have been translated into English, German, French and Korean. On the evening of May 26th, I listened to how two poets talked about their poems with the Wild Great Wall Zhu Zhu Album as the starting point.

Shenzhen │ Schema Representation: Neo-rationalism Metaphysical Painting School

Time:May 26th (Friday) 20:00-22:00.

Location:Room 502, East of Building B3, oct-loft North District, No.4 Wenchang South Street, Nanshan District.

Speaker:Wei Chunyu (Dean, School of Architecture, Hunan University)

In this lecture, Mr. Wei Chunyu will discuss the formation and communication of architectural thinking on the basis of Schema Theory, and lead to the reflection of schema reproduction: by revealing the correlation between Metaphysical Painting and Neo-rationalism advocated by Aldo Rossi, This paper analyzes and compares the psychological schemata hidden behind them, and combines with the regional practice of local studios to interpret and reproduce them through works, so that the architecture is endowed with certain characteristics, so as to shape a relatively quiet and simple place spirit to counter the collage, mobile and fast-food social picture and culture.

Shenzhen │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ ─ │ │ │ 94747

Time:May 27th (Saturday) 15:00-17:00

Location:Lecture Hall, 2nd Floor, Guan Shanyue Art Museum, No.6026 Hongli Road, Futian District

Speaker:Liu Kexiang (writer, TV host)

The Pearl River Delta, where rivers and seas meet and river networks crisscross, has the unique features of a southern water town. Its green color is colorful and complicated, and its species are rich and diverse, which is completely different from other regions. But in the past, eco-tourism and traditional landscape painting were rarely used for analysis. Nowadays, the environmental pollution is serious, and the cultural relics in rural areas disappear rapidly. Through a higher perspective, we may be able to see another level of scenery by comparing the aesthetics of different regions. Liu Kexiang often travels around, goes deep into rural fields and traditional markets, and accumulates many unique observations. In this lecture, he will share stories from several different regions, and provide some life cases based on his own investigation and experience in different places and natural history, as an aesthetic comb.

Shenzhen │ How do we read the classics today —— China in the Classics Shenzhen Salon

Time:May 27th (Saturday) 19:00-21:00.

Location:Shenzhen Central Book City, No.2014 Fuzhongyi Road, Futian District

Guest:Yang Zhao (writer, literary critic), Ma Jiahui (media person, columnist)

This series of books is Yang Zhao’s selected reading and reading guide of China’s traditional cultural classics. Through the word-for-word interpretation of some chapters of ten classics, the classics are restored to specific historical situations and historical contexts, showing hundred schools of thought’s response to realistic changes in the pre-Qin era, and sketching the personal image and personality of the representative figures of the school and their practical activities; At the same time, through restoration, today’s readers can appreciate the unique charm of the thoughts and spirit of the times displayed by the classics, which not only stimulates personal thinking because of the differences between ancient and modern times, but also empathizes with them because of the similarities between ancient and modern times, and draws on the great wisdom of ancient sages in coping with life. On May 27th, teachers Yang Zhao and Ma Jiahui, famous writers, will visit Shenzhen Central Book City to interpret traditional cultural classics and explore China in the classics.

Shenzhen │ "Walker" Sisyphus Bookstore Readers Meeting

Time:May 28th (Sunday) 14:00-16:00

Location:Sisif Bookstore, 4th Floor, Vientiane City, China Resources Center, No.1881 Baoan South Road, Luohu District

Speaker:Six-year-old children (actors)

A six-year-old boy, whose real name is Zhang Jinlai, was born in Shanghai on April 12th, 1959. In 1982, he starred in the 25-episode TV series The Journey to the West, and won the Golden Eagle Award for Best Actor and many other honors. In 1998, with the role of the Monkey King in the sequel to Journey to the West, he won the National Top Ten Outstanding Actors Award in 2000. In this sharing session, six-year-old children will bring their new work "Walker" to share with you how to laugh at the eighty-one difficulties in life.

Hangzhou │ Let’s talk about Children’s Favorite Folk Stories.

Time:May 28th (Sunday) 15:00-17:00.

Location:No.32 Beishan Road, Xihu District

Guest:Mao Xiaoqing (editor-in-chief of Shan Hai Jing magazine), Sun Yinong (mental health education expert), Zheng Xiaolin (literary critic), Wang Libo (deputy editor-in-chief of Zhejiang People’s Publishing House) and Sun Jianjiang (scholar, writer and publisher).

In the Internet age, people talk about all the gossip of Trump, but they don’t know the neighbors they meet every day. For example, our children know that Harry Potter has to go through platform 9 and 3/4 of King’s Cross Station to go to the magic school, but they may not know that there is a road of Tang poetry in Zhejiang where a poet left more than 1,500 poems. What is the deep-rooted good story of China? From ancient times to the present. Children’s Day is coming. Let’s relive the beauty of childhood stories and be children who love to dream!

Xi ‘an │ Peony and Cherry Blossoms: Literary Collision in the Journey Through

Time:May 28th (Sunday) 15:00-17:00.

Location:Northwest corner Huike Pavilion at the intersection of Xinsi Road and Keji Road in Yanta District

Guest:Liu Ning (writer), Yan Lizhong (reporter), Tucki (travel writer)

Xi ‘an, an ancient capital, as a gathering place of China’s long history and culture, has its unique urban style and charm; Japan, which is not far from us, is also deeply influenced by the culture of the Tang Dynasty and has developed its own characteristics in cultural communication. The two cities show their cultural meanings in different contexts with their own scenery. The development of contemporary means of transportation has made Mu Xin’s so-called "slow in the past" out of reach and gradually like a myth. In an era when crossing borders is so simple, how many people can calm down, slow down, and cook a thought with a fine view? Liu Ning, a writer who has traveled to Japan for many years, Tucki, a professional traveler, and Yan Lizhong, a professional reporter who has traveled all over the world, will gather in Xi ‘an to build a dialogue with you from history to the present.

Xi ‘an │ Interesting Talk about the Three Kingdoms, and Look at Sima —— Lecture by Zhang Chaoju, the best-selling author of history

Time:May 28th (Sunday) 15:00-17:00.

Location:Jindi Plaza, No.999 Qujiangchi East Road, Yanta District

Speaker:Zhang Chaoju (writer and translator)

With the theme of "Interesting Talk about the History of the Three Kingdoms", the author Zhang Chaoju vividly explained the stories of three generations of Sima Yi, Si Mazhao and Sima Yan during the Three Kingdoms period, and interpreted the rise and fall of Sima Jia from a different perspective. Everyone in modern society wants to pursue success, but success is not so easy to get. We can find a shortcut to our success from the experience of the ancients, invite readers to participate in the discussion and cause thinking.

Nanjing │ Things and Poetry in the Southern Hemisphere

Time:May 27th (Saturday) 14:00-15:30

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Speaker:Cai Tianxin (Professor and Doctoral Supervisor, School of Mathematics, Zhejiang University)

Cai Tianxin visited Latin America six times and learned Spanish. Six visits to Africa, including East, West, North, South and Central Africa; I have also visited Australia and Java … In this sharing session, we will follow the author’s steps to experience a magical adventure, appreciate the grandeur of the Andes, enjoy the beautiful calm of Lake Titicaca, visit the blue Mediterranean scenery and climb Mount Kilimanjaro, the top of Africa. In addition, we will get to know the singing and dancing peoples in Latin America, explore the mystery of primitive tribes in Africa, understand the literary and artistic world in Latin America, and experience the historical anecdotes and customs of these two southern hemisphere continents. I believe this will be a wonderful journey that we have never experienced before.

Nanjing flies to the other side of the world: Zhao Bo book sharing signing ceremony

Time:May 27th (Saturday) 19:00-20:30.

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Guest:Zhao Bo (writer), Lola (writer), Park Ermin.

From Zhao Bo’s words, the unique style of female writers is warm, romantic and charming, and has a mature, fashionable, emotional and positive intellectual reader community in many big cities. Zhao Bo is like a rare observer. In Europe, in China, on the way from Europe to China or China to Europe, countless women fall into the same story. The difference is that many women choose or are forced to choose silence, while Zhao Bo takes the stage to speak. On May 27th, we went to see how it led readers to travel through more than ten cities such as Paris, Heidelberg, Florence, Milan, Venice, Rome and Amsterdam, and finally returned to Paris for an uncertain love.

Nanjing │ Elaborate on the Gods and Beasts on Ancient Instruments

Time:May 28th (Sunday) 13:30-15:30

Location:No.58 Fengyousi Road, Qinhuai District

Speaker:Crazy students in the Six Dynasties (Ph.D., Asian Department of Nanjing University)

Among our glorious civilization, among the treasures left by our ancestors, there are countless oldest totems, introducing different times, nationalities and identities. What kind of elements are they and what role do they play in ancient sacrifices? What kind of changes and integrations have been made to the patterns? What does it mean that different beasts exist in different positions in the tomb? The first lecture of God Beast, the first veil to uncover this Millennium secret.

Nanjing │ When Bai Xianyong meets Cao Xueqin: A Cross-time Dialogue between Two Literary Sons

Time:May 30th (Tuesday) from 15: 00 to 18: 00, May 31st (Wednesday) from 18: 30 to 20: 00.

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Speaker:Bai Xianyong (writer)

Bai Xianyong came to Nanjing again. He said that A Dream of Red Mansions is his literary bible and an encyclopedia of writing. So we must come to Jinling, a city closely related to the fate of Cao Xueqin’s family, where the story of A Dream of Red Mansions took place. This activity is also the first new book meeting of Bai Xianyong detailing A Dream of Red Mansions and A Dream of Red Mansions (Cheng Yi’s school notes). On this Dragon Boat Festival, come and listen to Mr. Bai Xianyong’s experience in reading A Dream of Red Mansions in recent decades, and also talk about A Dream of Red Mansions in your heart.

Changsha │ Yellow Light "Relatives on the Earth" New Book Sharing Meeting

Time:May 27th (Saturday) 14:30-16:30

Location:Zhijian Bookstore, No.270 Jianxiang North Road, Kaifu District

Guest:Huang Deng (writer), Shen Nian (writer) and Mars (member of Hunan Writers Association)

Endless hometown, endless countryside, Huang Deng, the author of "Relatives on the Earth", returned to his hometown, and discussed an old question with writers Shen Nian and Mars from the same place on their different creative experiences: How many ways to write about hometown? This seems to be an unsolved problem, and the writing of hometown is only related to the differences of writers. But today’s writing about hometown is bound to be related to the writer’s understanding of the times in the face of the background of China in the transition period. On May 27th, three writers will share with you how they write about their hometown.

Changsha │ Hunan Elite and Modern China

Time:May 27th (Saturday) 19:30-21:30

Location:Desiqin City Plaza Desiqin Bookstore, No.18 Xiangfu Middle Road, Yuhua District

Guest:Luo Hong (writer) and Xu Shunfu (professor of Hunan Provincial Party School)

Huxiang culture has a long history and is profound, which is a unique and important vein of Chinese culture. Especially since modern times, a group of heroes of Sanxiang have written brilliant historical chapters with their literary style and martial arts. The Spirit of Hunan People examines the formation conditions of modern Hunan political elite groups from the social background of the late Qing Dynasty, the local social environment and the folk characteristics of Hunan, the unique ideological resources of Hunan, the ideological inheritance of Huxiang studies and Wang Fuzhi, and the educational cradle role of Yuelu Academy, a thousand-year-old institution of Hunan, and analyzes the group characteristics, cultural contributions and cultural influence of three generations of Hunan political heroes. The reasons for the emergence of Huxiang elites in modern times and the lack of reflection on Huxiang culture in the new period will be discussed with friends from all walks of life at this sharing meeting.

Changsha │ Personality and Consensus —— Historical Figures and Historical Changes

Time:May 28th (Sunday) 14:30-16:30

Location:Reading Garden, 4th Floor, Hunan Book City, No.76, Section 2, Furong Middle Road, Furong District

Guest:Ma Yong (researcher, Institute of Modern History, China Academy of Social Sciences) and Meng Ze (professor, Department of Comparative Literature, School of Foreign Languages, Central South University)

Looking back on the long river of history, there are similarities between dynasties, from rise to decline, from awakening to self-help, as if history is repeating itself. In the historical imprint of the rise and fall, there are some people who are informal and willful, and are often pointed out by the world. We call them "crazy people", such as the seven sages of bamboo forest headed by Ji Kang, Li Bai of I am the madman of the Chu country and who sang a mad song disputing Confucius, and Zhang Taiyan, the first man of the Republic of China … They not only have narcissistic, lofty and arrogant personalities, but also seek consensus with the times and others. Behind the shocking remarks and wanton behaviors, they can still emerge from the mud without being stained, and face difficulties. On May 28th, Ma Yong and Meng Ze, famous scholars, visited the reading garden of Hunan Book City to talk about historical figures and historical changes.

Changsha │ Wang Yuewen’s First Life Essays Collection "No Violation" New Book Conference

Time:May 28th (Sunday) 14:30-17:00.

Location:Lecture Hall, L2 Floor, Meixi Academy, No.1099 Fenglinsan Road, Yuelu District

Speaker:Wang Yuewen (writer)

If life is a big river, we were born on this shore and marched to the end, where will the other side of the spirit be? How will it arrive? This is not an autobiography, but it comprehensively recounts his struggle from a small town youth to a literary lover, from a civil servant to a literary master; This is not a philosophical reading, but it condensed his thoughts on the unity of material reality and the other world, flesh and soul; This is not chicken soup for the soul, but it is full of life wisdom that the more lively he is, the more he pursues a clear and peaceful life. In this sharing session, Wang Yuewen will talk about everything, laugh and curse, and also give readers a frank confession of life: people should be true to themselves and strive for no violation.

The Development Trend and Core Value of Memorial Museums in Fuzhou

Time:May 27th (Saturday) 15:00.

Location:Lin Zexu Memorial Hall, No.16 Macau Road, Gulou District

Speaker:Yang Weidong (Director of Fujian Revolutionary History Memorial Hall)

May 18th this year is the 41st International Museum Day. At present, the cause of museums is showing a thriving scene. How should museums better move from cultural temples to people’s lives? This lecture will take you back to past lives of Chinese and foreign museums, understand the development status of Chinese museums, and discuss the characteristics, display methods, core values and development trends of memorial museums.

　　For a long time, the broadcast volume is usually regarded as an important reference to judge whether a work is popular or not. Production companies spend money to brush the amount, and the data comparison between video websites has been repeatedly banned. The falsification of broadcast volume has long been an open secret of the industry. There are even some self-deprecating jokes in the film and television circle, such as "China’s 800 million netizens are not enough" and "the global population is not enough for a drama" … … It can be seen that the phenomenon of water flooding in the network clicks of film and television dramas is very serious. According to statistics, in 2017, there were 12 TV dramas with more than 10 billion hits, of which the highest film and television work even played 45.79 billion times during the year. The "big" data of some film and television works even far exceeds the global population, and the problem of fraudulent clicks is obvious.

　　In June this year, the Propaganda Department of the Central Committee, the Ministry of Culture and Tourism, the State Taxation Administration of The People’s Republic of China, the State Administration of Radio and Television, and the State Film Bureau jointly issued the Notice, which demanded that social benefits should be put in the first place and resolutely opposed to box office, ratings and clicks.

　　In order to bid farewell to the "traffic-only theory", iQiyi recently announced that it would close the "play volume" display at the front desk, and replace it with the content heat of comprehensive user discussion, interaction and multi-dimensional play indicators. Recently, the reporter found through the online shopping platform that many merchants are still providing related brushing services. Almost all video platforms are clearly priced, and a few to dozens of pieces can brush 10,000 hits. When the reporter asked, "Can I still buy the amount of iQiyi?" When this kind of question is asked, the reply is "the amount of wonderful art of sex is too troublesome, so I don’t take orders."

　　In this regard, the reporter interviewed Wang Xiaohui, the chief content officer of iQiyi. In his view, "Excessive attention to the broadcast volume has brought many adverse effects to the industry, and a large number of high-quality works have been buried because of the lack of an objective and fair evaluation system. Many practitioners simply compare the amount of broadcasts, distorting the initial intention of creation, and even breeding illegal or unethical behaviors such as brushing. The bad phenomenon of only playing volume theory has caused harm to the industrial chain, platform, producers and users. In order to change this bad atmosphere, Iqiyi decided to take the lead in closing the display of the front-end broadcast volume, returning its focus to creation and providing users with quality content and service experience. "

　　In the eyes of the industry, a large part of the reason for "brushing" is that the change of the distribution mode of film and television dramas now makes the voice of video websites more and more important, which forces the film side to brush up the amount of play to "compete" with it. However, once a video website is labeled as "data fraud", the goodwill and credibility of this website will be greatly reduced. This is not only related to the development of the website, but also to the prospect of the film and television industry. How to change the impact of the current broadcast volume fraud, Wang Xiaohui believes: "From a global perspective, mainstream video playback platforms and market monitoring institutions have been exploring more dimensional evaluation systems to reflect users’ love for content. At present, we choose to replace the previous broadcast volume with content popularity and provide users with more diversified indicators. "

　　Zhu Chuanxin, a young scholar in the Art Department of China Communication University who has been engaged in online literature and art research for a long time, thinks: "Facing the increasingly outrageous network ‘ Big ’ Data, the online video industry is actively counterfeiting and consciously maintaining an honest, fair and orderly market environment. At the same time, it needs to keep a clear understanding: even if the data is accurate and reliable, the number of clicks is not equal to the artistic quality, and the latter is the sustainable development of video websites ‘ Lifeline ’ 。”

　　Not only the number of clicks, but also the principle of unity of profound thought, exquisite art and excellent production, and the orientation of quality evaluation as the core will surely become the core standard in the scientific evaluation system of network audio-visual program quality. The prosperity and development of literary and artistic creation in the new era needs a clean and honest cyberspace. In the future, with the development and maturity of video websites, establishing an objective and scientific data system, truly understanding the influence and effect of content, and bursting the "bubble" of broadcast volume is the way for the sustainable development of the industry.

　　(Guangming Daily reporter Niu Mengdi)

On the morning of December 18th, the first meeting of the second member congress of Tongji University Alumni Association and the first meeting of the second Council were held in Yifu Building, siping road Campus. Fang Shouen, Party Secretary of Tongji University, Chen Jie, President, Wu Jiang, former Executive Vice President and President of the First Council of Alumni Association, Feng Shenhong, Executive Deputy Secretary of Party Committee, Peng Zhenwei, Vice President and Executive Vice President of Alumni Association, Lei Xinghui and Tong Xiaohua attended the meeting. The meeting was presided over by Lei Xinghui.

The meeting was held online and offline, with 116 heads of alumni organizations from local, industry/interest and colleges, representatives of alumni in Shanghai, heads of school functional departments, and representatives of winners of "Tongji University pursues outstanding alumni" attending the meeting.

The meeting heard the Report on the Work of the First Board of Directors of Tongji University Alumni Association and the Report on the Work of the First Supervisor of Tongji University Alumni Association, and deliberated and adopted the amendments to the Articles of Association of Tongji University Alumni Association and the Measures for the Administration of the Logo of Tongji University Alumni Association. The meeting elected 104 directors of the second Council of Tongji University Alumni Association, and elected Fang Shouen as president, Lei Xinghui as executive vice president and legal representative, 15 alumni including Wang Yueming as vice president and Lu Yingnan as secretary general. At the meeting, five supervisors of the second Board of Supervisors of Tongji University Alumni Association were elected, and Ji Jianqing was elected as the supervisor.

On behalf of the school, Fang Shouen expressed his heartfelt thanks to the alumni who have long cared for and supported the work of his alma mater and the members of the first board of directors for their hard work, and said that together with the directors of the second alumni association, he would inherit good experiences and good practices, study new ideas and new measures, serve alumni well, promote the construction of the alumni association, run this great relay and live up to everyone’s trust and support. In his speech, he pointed out that alumni should serve alumni well and strive to become a "booster" and a "gas station" to help alumni grow and succeed in their careers; We should serve our alma mater well and strive to become an indispensable and important force for its development; We should serve the society well and strive to fulfill the solemn commitment of Tongji people to serve the society. Looking forward to the work of the new board of directors, he said that on the new journey of the 14th Five-Year Plan, the Alumni Association will adhere to the guidance of Party building, further promote the modernization of corporate governance capacity, fully support the lifelong development of alumni, serve the new round of "double-class" construction of the school with higher quality, actively assume social responsibilities, and build a first-class Alumni Association with Tongji characteristics that is compatible with world-class universities with China characteristics.

Chen Jie gave an introduction to alumni’s recent work, including his understanding of the construction of first-class universities, the recent development results of the school and the blueprint for future development. He said that Tongji University should be a participant in urban development and provide support for Shanghai’s sustainable economic and social development; Be a climber of scientific and technological innovation and set a benchmark for the high-quality development of national science and education; Be a practitioner of Lide Shuren and contribute to the Chinese nation’s great rejuvenation of the Chinese dream.

At the meeting, a flag-raising ceremony for the newly established alumni organization and an award ceremony for outstanding alumni representatives were also held. Fang Shouen awarded the flag to the College of Art and Media, the College of Mechanical and Energy Engineering and the Law School of Tongji University Alumni Association, and Chen Jie awarded the "Outstanding Alumni of Tongji University of the Year" award to two alumni representatives, Huang Zhiming and Zhang Chen.

Subsequently, the first meeting of the second standing Council and the board of supervisors of Tongji University Alumni Association was held. At the meeting, discussions and exchanges were held around the work of the new Standing Council and the Board of Supervisors.

In the afternoon, in the seminar on alumni work, the participants held a heated discussion on topics such as "giving full play to the strength of alumni and participating in the work of Lide Shuren Center in the school", "strengthening the linkage of inter-regional alumni organizations to help regional economic development" and "standardized governance and sustainable development of alumni organizations", and put forward opinions and suggestions.

On the same day, Wujiang visited the 9th issue of "Tongji Alumni Lifelong Learning Platform Starry Lecture Hall" with the theme of "Urban Organic Renewal and Fine Management". He fully analyzed the essence, characteristics, key points and the whole process of urban organic renewal from an academic perspective, and expounded how to carry out refined management from the aspects of planning and design, basic information, engineering technology and management mechanism from a practical perspective to ensure the effective implementation of urban organic renewal. The report was also broadcast live through the official live broadcast platform of Tongji University and the lifelong learning platform of alumni.

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 　　　　　　　(Photo/Jiang Ping, Travel Video/Song Yuxing)　　　

　

The just-concluded Winter Olympics reminds people of the dolls, Ice Dun Dun and Snow Rongrong. Their designs contain the Olympic spirit and China cultural symbols. The generation and development of a symbol has a strong and complex cultural support behind it, and once the culture has formed a symbol after a long period of accumulation, its meaning will be long-term and stable. Only by reading symbols can we understand the culture carried by symbols. In the book "China in Symbols", more than 100 symbols that can best represent China are identified.

A pair of mascots in the Winter Olympics-the ice pier and the snow rongrong-have won everyone’s love. The design of the ice pier contains the determination, courage, futurity and sense of the times of the Olympic spirit; Snow Rongrong seeks for the interior of China traditional culture, illuminates the road ahead with the metaphor of "lantern", and responds to the theme of "community of human destiny" with warmth and warmth. Ruyi Ring, Great Wall pattern, Beijing pigeon pattern and Ruyi pattern all over the snow Rongrong are typical China traditional decorative patterns, and each pattern has a profound cultural significance.

To some extent, ice piers and snow melts are symbols deliberately created to represent a cultural phenomenon and convey a certain meaning. We collect and love them, not only because they are a pair of lovely dolls, but also because of the Olympic spirit precipitated from them and the inspiring spiritual memory about the Winter Olympics. Therefore, we pay attention to some cultural symbols, but in fact we pay attention to the cultural significance it represents.

On January 18, 2022, in Beijing, the mascots of the Winter Olympics, Bing Dundun and Xue Rongrong, were on the subway line 11, and the train was decorated to welcome the Winter Olympics. Chang Zhitao/vision china Map

China is a big country with "cultural symbols". In thousands of years’ history, we are very good at symbolizing and conveying spiritual meanings that are difficult to express or are easy to escape because of mystery, such as class and power, seeking happiness, spiritual belief, and avoiding evil and disasters. China in Symbols, published by Zhonghua, selected more than 100 symbols that best represent China, such as Dragon, Phoenix, HarmonyOS, Zhu Rong, Taiji, Bagua, Hutuluo, and Sanxingdui’s "Sun-Bird of God-Man of God-Tree of God", which were divided into four series: auspicious, guardian, sacred and humanistic, and examined the generation and evolution of these symbols.

Animals as symbols

The generation and development of a symbol must have strong and complex cultural support behind it, and once the culture has formed a symbol after a long period of accumulation, its meaning will be long-term and stable. Only by reading symbols can we understand the culture carried by symbols.

As mentioned above, the theme of the mascot chosen for several international competitions held in China is panda, and panda is increasingly becoming the most representative animal of China. The panda was not so conspicuous among the animal symbols in ancient China. When choosing symbols, China prefers to choose the "god beast" handed down from ancient times. For example, the dragon and phoenix, which Wen Yiduo said were "symbols of the origin of a nation and the beginning of a culture", the nine sons of the dragon derived from the dragon system, as well as the brave and unicorn, which have experienced some combination and creation like the dragon.

Chen Rong’s Painting of Kowloon in Southern Song Dynasty

It seems that only those animals full of mystery and re-creation can be used as a symbol of auspiciousness, such as Kirin, which, as a symbol of auspiciousness, is said to appear only in times of peace and prosperity or when saints are born. The real animals are often attached to these beasts. For example, in the Ming Dynasty, a foreign messenger presented a beast, which was thought to be a unicorn, which caused a sensation throughout the country, but was actually a giraffe. The picture of Ruiying Kirin was painted by people who mistook giraffes for unicorns at that time.

Ruiying Qilin Map

Another example is the lion, an animal introduced to China from the Western Regions. The Book of the Later Han Dynasty, Biography of the Western Regions, records that the country of interest "sent envoys to offer lions", which caused a sensation in the capital. Since then, more and more countries have offered lions to China. Until the Yuan Dynasty, it was recorded that lions entered China as a tribute. After the lion entered China, it gradually merged into the myths and legends of China and became a sacred thing. However, as auspicious symbols, such as the stone lion with strong symbolic significance, it will integrate the characteristics of animals such as dragon, tiger, unicorn and gluttony, and distinguish it from ordinary lions according to the characteristics of China’s "God beast" culture.

In the "All Nations Come to Korea", it is possible to re-create a "Rui beast" based on some animals.

In the "All Nations Come to Korea", it is possible to re-create a "Rui beast" based on some animals.

Even native and common animals, in order to highlight their mystery and preciousness, will increase or decrease organs, or replace some parts to stand out from the crowd. For example, the "Four Spirits", such as the three-legged golden toad, had a high position in the Han Dynasty. In the whole process of "Ascending Immortal" in the tombs of the Han Dynasty, the Queen Mother of the West often set up a tripod in front of her, and the jade rabbit pounded the medicine and the toad took charge of the medicine, symbolizing the making and mastering of the immortal medicine.

"Errors" and "Dislocation" in the Evolution of Symbols

As a symbol, the shape and meaning of an animal will change constantly. Take the golden toad as an example. In the Han Dynasty, it was a symbol of longevity. In the Tang Dynasty, people called the golden toad the golden toad and thought it was a symbol of wealth. When these auspicious symbols are given meaning, there is often no logic. Zhao Yuntao, the author of China in Symbols, believes that the formation or evolution of many symbols can be summarized in two words-"error" and "dislocation".

Zhao Yuntao said that one of the manifestations of "mistakes and errors" is gradually "accumulation of non-achievements". For example, "Zhang Guolao" in the Eight Immortals, there is a sentence of "Mr. Zhang Guolao" in the handed down literature. In ancient times, there was no punctuation, and there was no definite sentence. Later, "Zhang Guo, the old gentleman" became "Mr. Zhang Guolao"; In the Ming and Qing Dynasties, people attached it to the character of the Eastern Han Dynasty: Liu Haichan. Because of the word "toad" in its name, people made up the story of "Liu Haichan playing with golden toad", and the name of Liu Haichan became "Liu Hai". Zhong Kui, according to an ancient book, the dialect of Qi often called the big wooden stick, namely "chuí", as "Zhong Kui". This big wooden stick can be used to drive away ghosts. Later, it was a myth that led to an exorcist named "Zhong Kui".

However, some "mistakes" are consciously generated by people. For example, taking animals and plants as auspicious elements, the formation of auspicious meanings mostly relies on associative thinking and deliberately forms the "mistakes" effect. "Deer" is homophonic "Lu", so people draw a deer, which means that they can get Fu Lu, because bats are homophonic "Fu"; There is also a typical "Four donkey kong" which has been adjusted because of the homonym "good weather" of the treasure in hand.

Ming anonymous Liu Hai Jin Chan Tu

Qing Yongzheng pastel gourd bowl

Zhao Yuntao believes that the "dislocation" in the formation and evolution of symbols is a more advanced "error". "Dislocation" means that some symbols have gradually changed in the process of sanctification, secularization and localization.

In China’s belief system, a considerable number of Buddhist immortals will undergo a "localized" transformation in China. Avalokitesvara Bodhisattva in ancient India was male and spread to China. Before the Tang Dynasty, it was mostly male with a moustache. With the improvement of women’s status after Wu Zetian came to power, Guanyin Bodhisattva also became a female image. After Yuan Dynasty, Guanyin became the mainstream. The early Maitreya Buddha was not a big belly. It is said that the shape of the big belly was based on a cloth-bag monk named Qiben in the Five Dynasties. People liked this image and gradually settled down, resulting in the big-bellied Maitreya Buddha.

Liang Kai’s Picture of a Bag Monk in the Southern Song Dynasty

With China’s vast territory and frequent dynasty changes, the choice of immortals is also very arbitrary. For example, Yan Luowang, who is familiar with the underworld, was originally the God of Mount Tai before him. According to the Natural History, the God of Mount Tai is called "Tiansun" and is the grandson of the Emperor of Heaven. He is responsible for calling people’s souls and knowing the length of their lives. During the Wei, Jin, Southern and Northern Dynasties, a new destination and manager was born in the ghost world, namely feng du and Fengdu Emperor created by Taoism. It was not until the Tang Dynasty that the Buddhist belief in Yan Luowang began to prevail.

Yan Luowang came with the spread of Indian Buddhism to the east. It can be seen that the belief symbol that we originally thought was very characteristic of China was the result of cultural integration. For example, the "hell" in folk imagination is the widely accepted and loved "the Monkey King" which combines China’s "yellow earth" with Buddhism. According to Hu Shi’s textual research, its prototype is the Indian monkey Ha Numan in the Indian epic Ramayana.

In addition to the dislocation caused by thinking and aesthetic mode and cultural integration, people’s behavior will also lead to the occurrence of "dislocation" in the symbol system. For example, sweeping graves is a custom of the Cold Food Festival in the Tang Dynasty, but the Cold Food Festival is forbidden by fire, and it is popular in the Tang and Song Dynasties to burn paper money for sweeping graves. So in order to avoid conflicts, the custom of sweeping graves has gradually become a symbol of Tomb-Sweeping Day.

Interpretation of the symbol of "daily use without knowing" in The Journey to the West

In the writing of China in Symbols, the author starts with China’s classical novels, and talks about the application of symbols in the novels, so as to arouse readers’ interest in those symbols that are "unknown for daily use".

The most prominent text is The Journey to the West. The Journey to the West’s seemingly illogical stories of ghosts and gods actually have a very solid foundation of folk beliefs. For example, at the end of The Journey to the West, why are all the scriptures that Tang Priest got back for the first time blank, and the scriptures that he finally got are shelved? Zhao Yuntao thinks: "The Tang Priest in The Journey to the West went to the Western Heaven Lingshan, and it was Jia Ye and Ah Nuo (prototype is Ananda) who led the Tang Priest to fetch books. The scripture that Tang Priest took for the first time was blank, which actually showed the purpose of Zen’s "no writing" and inheritance. " And "the story of Tang Priest’s learning from the scriptures is familiar to everyone. In history, Tang Xuanzang went to India to learn from the scriptures, mainly taking the classics of the only Sect. But the classics he brought back were quickly shelved and later lost. One of the most important reasons is that it is difficult for the general public to accept or approach the only-knowing Sect, because many terms in the classic of the only-knowing Sect are incomprehensible to most people, and the practice is hierarchical, and the steps are very complicated, and it is more inclined to professionals. "

The Journey to the West stills

Many monsters who make waves in The Journey to the West are mounts of immortals in the sky. The only demon that appears twice in The Journey to the West is the lion spirit of Manjusri Bodhisattva, once in Wuji State and once in Shituoling. In The Journey to the West, there is a monster that even the Monkey King is afraid of him, that is, the Nine Spirits Yuan Sheng, also called nine lions, which is the mount of Taiyi to save the suffering Buddha. The Holy Spirit of Nine Spirits and Yuan is very powerful, and he can capture the Monkey King and Friar Sand alive with his head, making the Monkey King flee at the sound of it. There is also the mount of the birthday girl, the White Deer, which is a demon in the lower bound and becomes the father-in-law of the King of the Kingdom of Bhikkhu.

In the Year of the Tiger, a monster spoofed by netizens-the leopard essence of wormwood flower skin, which occupies Yinwu Mountain as the king, is known as the "King of Nanshan". It is a simple monster with no heavenly background among the monsters who come down to earth to make trouble.

Leopard essence in The Journey to the West

In The Journey to the West, their scenes are also arranged according to the level of immortals and the functions of their divisions. For example, because of their low rank, the little deity-Land God, whose belief originated from the worship of "social gods" in ancient times, had a very high status before the Qin and Han Dynasties, but since the Northern and Southern Dynasties, the status of land gods has become more and more humble. During the Ming and Qing Dynasties, people often thought that the Land Lord was the patron saint of the countryside or suburbs and the most basic fairy, and because of its closest connection with people’s lives, the Land Temple was also the most common.

In The Journey to the West, there are many land lords, for example, as the patron saint of special areas, such as the land of Flat Peach Garden and the land of Flame Mountain. In Che Chi Guo, the Monkey King and Tiger force big fairy beheaded each other. When the Monkey King’s head fell to the ground, Tiger force big fairy secretly called out the land and said to him, "Hold the head, and when I win the monk, I will play the king and build the small ancestral temple into a big temple with you, and the clay sculpture will be changed into a golden body." As a result, the land really listened to his words, which also shows the humble status of the land public.

The Monkey King and Land Mountain Gods in The Journey to the West

Every time the Monkey King moves reinforcements, he will meet the gods in the sky, such as the four heavenly kings. When the Monkey King moves reinforcements to heaven, he always goes to the gates of the worse gate and east door first, and he will meet the king who is the gatekeeper of today’s "turn to patrol". The author of China in Symbols believes that the one with the best relationship with the Monkey King is the growth king. "This may contain the traditional concept of" no discord, no concord "in China. When the Monkey King went to heaven for the first time, he met the king of growth and had a dispute. ….. Then the relationship between the two people became better, and the Monkey King’s "sleepy" was won by playing games with the growth king. "

The immortal system in the sky is more complicated. The young ox essence of Taishang Laojun stole the "King Kong Zhuo" and descended to the earth to take the mountain as the king, and seized the Tang Priest. He also used the "King Kong Zhuo" to take away the Monkey King’s golden cudgel. When the Monkey King complained to heaven and asked to find out which "evil star" was thinking of the lower bound, he briefly introduced the immortal system represented by the stars in the sky: first, he checked the officials of the God King on the Four Tianmen Gate; I checked the truth of the large, small and medium-sized groups in the three micro-walls; Also checked the thunder generals Tao, Zhang, Xin, Deng, Gou, Bi, Pang and Liu; Finally, I checked for thirty-three days, and I was comfortable every day; Also check twenty-eight nights, seven nights in the east, horns, horns, temples, houses, ginseng, tails and dustpans; Seven nights in the west, fighting, cattle, women, emptiness, danger, room and wall; Seven nights in the south, seven nights in the north, and peaceful nights; Also checked the sun, lunar, water, fire, wood, gold, earth seven politics; Luo, Ji Du and Bo Yu. There are stars all over the sky, and there is no lower bound of thinking.

China in Symbols by Zhao Yuntao Zhonghua Book Company

China in Symbols provides a new way to read the totem of China’s beasts and auspicious symbols. He introduces the terms of symbols and rhetoric from German philosophers Ernst Cassirer, roland barthes and other western philosophers, and uses the word "symbol" to unify more beliefs and totems scattered in China in various regions and times and write a book. While researching the origin of each symbol, we also start with The Journey to the West’s novels, such as Romance of the Gods and Dream of Red Mansions, to add interest to the narrative with "mutual proof of literature and history".